Posts Tagged ‘QuarkXPress’

In flight, preflight, and post flight – part 2

Wednesday, May 6th, 2009

In flight, preflight, and post flight – part 2 – 6th May 2009

For years, workhouse preflight applications such as FlightCheck Professional and PitStop Professional added, and continue to add, value in the preflight process. Where Adobe Live Preflighting stops or is limited both FlightCheck and Pitstop taker over. For instance, the ‘Sharing the Preflight profile with Acrobat’ point is easily remedied with FlightCheck because is examines both native files formats as well as PDF files. Another example, the ‘Allowing Custom profiles to be shared and downloaded’ point is remedied with Ground Control sets. Ground Controls can easily be set up and shard with other.

Complete control
FlightCheck Professional is an all encompassing preflight technology, developed by the founders and US patent holders of the preflight process, Markzware. This standalone application provides time tested software to both preflight and post flight digital files destined for print. For more than 13 years, the system has embodied an innovative method of checking more than 50 files format. These include Adobe InDesign, Illustrator, QuarkXPress and the resulting PDF. This application gives printers and layout artist alike, a quick, easy and standardised way of checking numerous disparate files in and out of a work flow.

Yet another technology is the Enfocus PitStop product. This tool is also highly regarded by printers at the post fight stage and excellent for checking PDFs. Further, it can also edit PDFs, which is often a necessary evil.
The question is: why use Adobes Live Preflight, Markzware’s FlightCheck Professional and Enfocus’ Pitstop together?
The answer is simple: For complete quality control.

To be continued…

See Part one of – The magic circle – print, paper and recycling

Print Buying Direct is the online facility for buying print of The Printing House Ltd of Crewe, Cheshire, UK

The Printing House are specialists and experts in Prospectus of all kinds – see our dedicated prospectus Website www.schoolprospectus.info – New on our Schools site – have a look at our new turn page technology (also known as digital editions)- have your prospectus or brochure online (digital prospectus or digital brochure) – but turn the pages as if it was paper.

Don’t forget to see our new offer – Budget Black and white leaflets – 10,000 Leaflets designed, printed and delivered for only £199

Best of all – don’t forget that our Banner Stands (pull up banners) are still only £99 plus delivery!

Business Cards (Business Card Printing) – £10 for 100 Full Colour Business Cards.

We’re still running our very popular Lettterheads Campaign. 2000 letterheads for only £125 in full colour, printed onto a quality 100gsm laser guaranteed paper. see our letterheads webpage for more info.

At The Printing House (Print Buying Direct) we are experts at helping you with the production of your newsletter, whether it be for your employees, customers or fellow club members. See our Newsletters web page for help and advice.

Keep an eye out for our new website for The Printing House Ltd, due for relaunch in May.

Our superb Wallet Folders are still on offer – see http://www.printbuyingdirect.co.uk/wallet-folders.html

Preparing your artwork for Printing

Thursday, January 8th, 2009

PREPARING TO PRINT

Once the layout and design of a job is complete, you’ll need to decide how to hand over your files. At The Printing House (Print Buying Direct) we usually prefer a single PDF but can work with all of the source files.

Either way, you’ll want to run though a preflight checklist. For more information see our artwork guidlines webpage.
PREFLIGHT CHECKLIST… ARE YOU READY?

  • Ensure that all graphics and images are in their final size and correct resolution, 100% at 300 dpi.
  • Rotate, scale and edit images and graphics prior to placing them in page layout applications.
  • Image file formats should be EPS or TIFF (not JPEG) and verify that all source files are linked properly.
  • All spot colours should be designated as spot colors and not as CMYK recipes.
  • Spell check your document.
  • Remove any trapping (allow the printer to apply trapping).
  • Check for transparency and either flatten or notify the printer so they can flatten the file. All bleeds should generally be set to 3 mm.
  • Gather all source files: fonts, graphics, images and layout documents, if requested. Use the [Package] feature in InDesign or the [Collect for Output] in QuarkXPress.
  • Perform a visual preflight using overprint preview, colour separations preview and transparency flattener preview.
  • Prepare a mock-up to give the printer as a finished sample.

TRAPPING

  • For best results, trapping should be applied by The Printing House and not the yourself. Trapping settings made in the application are not included in the PostScript when printing with the Composite mode.
  • Avoid instances where trapping to gradients or images is required (the change in color may not reproduce well).

BLEEDS

Include 3 mm bleed for all areas that extend off the page when trimming is required.

IMPOSITION

If you plan to use binding, leave ample room for the gutter. Aside from that, we will do all imposition work.

INDESIGN CS2 PREPARE TO PRINT

PREFLIGHTING

  • Use the [Preflight] feature under the File menu to make sure all fonts, graphics and image links are present.

PACKAGING

  • Use the [Package] feature under the File menu to collect all fonts, graphics and images used in the job. This will ensure that all elements are collected when the job is delivered to The Printing House. Instructions and contact information can also be included by the designer for us.

QUARKXPRESS 6.5 PREPARE TO PRINT
USAGE…

  • Use the [Usage...] feature in the Utilities menu of QuarkXPress to review that all fonts, graphics and images are linked correctly in the file.

COLLECT FOR OUTPUT

Use the [Collect for Output] feature in QuarkXPress to gather all fonts, graphics and images used in the job. This will ensure that all elements are collected when the job is delivered to the print provider. Note, however, that you will need to gather fonts from imported EPS or PDF pictures manually unless they are already imbedded into the EPS or PDF file.

ACROBAT DISTILLER 7 SETTINGS

  • Create PostScript from the source application using the Acrobat Distiller PPD.
  • Be sure to use the Binary data format and include all fonts.
  • Use the Smooth Shading feature in Acrobat Distiller.
  • The Save As features in PDF Writer/Maker or the Mac OS X Save As PDF feature should be used with caution.

The following recommended settings have been optimized for high image quality printing. In some instances, productivity may take priority over image quality and, therefore, require different settings (such as adjustments in compression).

Open Acrobat Distiller and go to the Settings menu. Select [Edit: Adobe PDF Settings...]. Create a custom set choosing the following recommended settings and select [Save As...] using a new fi le name (e.g.,“ artwork for The Printing House”).

Distiller will save the file in the right place so it can be accessed as a new Job Option set.

  • Select Acrobat 6.0 ( PDF 1.5) for the best compatibility. Note that since you are working with a PostScript file there is no need to select Acrobat 4.0 compatibility for transparency concerns (writing files to PostScript always flattens any transparency effects).
  • To ensure that the orientation of the pages prints correctly, do not select the Auto-Rotate Pages feature.
  • Embed Thumbnails is optional. Versions of Acrobat 5 and higher are able to dynamically create thumbnails on the fly.

IMAGES

To preserve the best image quality, compression is generally not recommended.

Distiller 7 contains a new Policy button. You will need to decide the threshold of what level of resolution is appropriate for the quality of the job and if the job should pass, fail or warn the user. Try setting the minimum as 200dpi and the max as 400dpi.

FONTS

  • If jobs fail while distilling, check the job for missing fonts. The following settings recommend cancelling the job when fonts are missing to ensure the document prints correctly.
  • To guarantee the font information is successfully included in the Adobe PDF file and will view properly on the monitor, the required fonts should reside either in the system folder of the computer or in the PostScript file.
  • A higher percentage value is generally recommended for [Subset embedded fonts . . .].

COLOUR

  • The Settings File selection under Adobe Colour Settings should usually be set to [None], [Leave Colour Unchanged].

ADVANCED

  • The Convert Gradients to Smooth Shades feature can help smooth vignettes/ sweeps/ gradients with Vector-based programs such as Adobe Illustrator or QuarkXPress. Using this feature with Microsoft Office jobs may or may not improve the job due to the way sweeps are generated in those applications.
  • As a precautionary measure, use the Save Adobe PDF Settings Inside PDF File feature. The recipient of the PDF may be able to troubleshoot problem files more easily if the settings are included with the job.

EXPORTING PDF FILES

When exporting files from InDesign or QuarkXPress, you can apply many of the same Acrobat Distiller recommendations discussed previously.

INDESIGN CS2—EXPORT PDF

The PDF options for InDesign are fairly similar to those in Acrobat Distiller. If there is a custom set saved from Distiller, it will be selectable from the PDF Export dialog box. Follow the settings previously discussed.

There is one additional group of settings, [Marks and Bleeds], that can be set to your preference.

QUARKXPRESS 6.5—EXPORT PDF

In QuarkXPress be sure to click on the [Options...] button to access all of the available controls over PDF settings.

You will want to check the options under the Job Options and the Output tab. Take special care to ensure the Color [Output Type] is set to [Composite] and that [Print Colors] is set to [As Is].

Note that blends made with PANTONE® colors in Quark 6, will print as RGB when the [Print Colors] selection is set to [As Is]. To preserve PANTONE Blends (gradients), set Print Colors to [Device N]. Using [Device N] will, however, convert any RGB text, objects and images to CMYK.

PREFLIGHTING PDF FILES

In Adobe Acrobat 6 or higher you can use the Preflight tool to create your own custom preflight profile or use one of the default profiles. If you are not familiar with this tool you may want to talk with your print provider first. They may be able to provide you with a customized profile or walk you through the process.
Also refer to the Adobe documentation provided with Acrobat.

For more information or help please call The Printing House (Print Buying Direct) on 0870 950 8444

The Printing House Ltd – Marshfield bank, Crewe, Cheshire, UK

Transparency & Graphic Design

Tuesday, January 6th, 2009

Transparency features in graphics applications allow users to create elements with drop shadows, overlays, blends and feathering. Because transparency effects can be complex, be sure to consult us for best results. But the following notes should point you in the right direction for getting your artwork ready for print.

TRANSPARENCY IN ADOBE ILLUSTRATOR

  • Select [File: Document Color Mode] and choose [CMYK Color].
  • Set the [Effect: Document Raster Effects Settings] Color Model to [CMYK] and the Resolution to [High (300 ppi)]. Any effects that require rasterization will use the value specified here.
  • Use the Transparency palette and [Effect] stylize menu to control transparency effects. Note that [Filters] can produce unpredictable results.
  • The [File: Document Setup: Transparency: Preset] should also be set to [High Resolution].
  • The Flattener Preview palette [Window: Flattener Preview] can identify areas that have transparency applied or are effected by other objects.
  • Be sure to enable [View: Overprint Preview] for the most accurate display of what the fi nal design will look like.

TRANSPARENCY IN INDESIGN

  • Select the [Edit: Transparency Blend Space] to [Document CMYK].
  • Use the Transparency palette to control transparency effects.
  • The Flattener Preview palette [Window: Output: Flattener Preview] can identify areas that have transparency applied or are effected by other objects.
  • Be sure to enable [View: Overprint Preview] for the most accurate display of what the fi nal design will look like.

PRINTING WITH TRANSPARENCY

  • In the printing or exporting windows always select [High Resolution] for the Transparency Flattener.
  • Printers often define flattening settings or flatten artwork themselves. Consult your us to determine if your work should be submitted flattened or with live transparency. Note that transparency effects will always flatten when printing to PostScript or EPS, or if they are exported using the Acrobat 4 (PDF 1.3) format. Transparency effects will remain “live” only if exported using the Acrobat PDF 1.4, 1.5 or 1.6 formats.

CAUTIONS

  • Use spot colors in transparency effects with discretion. When spot colors contact CMYK objects with transparency, the best practice is to make sure they are on the top of the stacking order.
  • Avoid transparency designs that contain both RGB and CMYK content.
  • QuarkXPress 6.5 does not have built-in support for transparency.

If in any doubt call us on 0870 950 8444 or contact us through either of our websites – Print Buying Direct or The Printing House Ltd, Crewe, Cheshire, UK


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